New York Post |
Film Review: 'Thoroughbreds'
Variety But unlike other dark comedies to make the jump (“Mean Girls” director Mark Waters' “The House of Yes” comes to mind), Finley displays a natural cinematic instinct, treating the baroque, marble-lined mansion where the film principally unfolds not as a ... Anton Yelchin's 'leading-man energy' on display in final film Disturbing, delightful 'Thoroughbreds' is Anton Yelchin's last film 'Thoroughbreds': How a 28-Year-Old Playwright Who Had Never Been on a Film Set Directed the Best Debut of the Year |
Thursday, 8 March 2018
Film Review: 'Thoroughbreds' - Variety
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